Minutely-controlled world
It might seem strange that after watching over two and a half hours of Cate Blanchett’s riveting performance as fictional composer and conductor Lydia Tár, I could turn to my friend and fellow-viewer and ask: ‘What was that film about?’
This wasn’t because Todd Field’s latest work was a confused film. In one sense Tár follows a familiar trope of a musical genius whose relentless pursuit of perfection leads to breakdown and a fall from grace.