The Birmingham Stage Company's adaptation of Philippa Pearce's Tom's Midnight Garden is a sheer delight. Now coming towards the end of its tour, the production is entrancingly staged and acted with a fitting mixture of youthful gusto and professional sensitivity.
'Time no longer'
While Philip Pullman's anti-Christian tract draws in families to the National Theatre in London, it is good to know that some repertory companies are looking at less dark material for producing family entertainment.
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